Ultima 2026 is to be launched soon — the festival programme is right around the corner!
Light winds from the northwest, occasional aurora, probability of Mars dust: 40%. What the forecast cannot tell you is what any of this will feel like from the inside.
Tonight’s conditions: Cikada, one of Norway’s defining contemporary music ensembles, and the emerging musicians of International Ensemble Modern Academy (IEMA) share an evening where earthly gestures and planetary signals enter the same listening system.
It begins with the body. In Malin Bång’s flock of fleeting hands, eighteen hands move as one collective organism. Hanna Hartman’s Advanced Weather Information Processing System brings the forecast down to matter: cutlery against terracotta, Velcro and polystyrene, sandpaper, and a bass drum played with a rubber ball. From these materials emerge rain, wind, waves, and chaotic accumulation.
Beneath the Arctic sky, as the northern lights spread across the darkness, Kaija Saariaho found the first ideas for Lichtbogen. Its shimmering textures and harmonies seem to catch something of that light. Øyvind Torvund lets a string quartet dream of synthesisers, mechanical birdsong and sounds they were never built to make. Olivia Køppe reaches further still, placing voices from the archive around the audience so that a century of human fascination with Mars arrives as signals from very far away.
Malin Bång: flock of fleeting hands for ensemble, world premiere
Hanna Hartman: Advanced Weather Information Processing System (2025), world premiere of ensemble version
Co-commissioned by Ultima and SWR.
Break
Olivia Køppe: Blues for a Red Planet for ensemble, tape and electronics, world premiere.
Commissioned by Ultima.
Øyvind Torvund: Five Pieces for String Quartet (2024), world premiere
Kaija Saariaho: Lichtbogen for ensemble and electronics (1986)
Hanna Hartmann. Photo: Helga Brekkan
Olivia Køppe. Photo: Marco Slaviero
Malin Bang. Photo: Annika Falkuggla
Øyvind Torvund. Photo: Helge Skodvin
Kaija Saariaho. Photo: Maarit Kytöharju
Cikada. Photo: Siv Dolmen
IEMA. Photo: Wonge Bergmann